Each tune's eq may appear ideal by itself, but if you sequence them together, all of a sudden one song sounds too intense (or too dull ...). Idea # 1: remember that any eq modifications to your stereo mix affect the entire mix - if you want to cut 3 db at 80Hz due to the fact that your mix sounds muddy, remember to examine how that affects all the instruments (e.g. the vocal), not simply the bass guitar and kick drum. Compression: In mastering, this is used not simply to manage a mix or to include character, but likewise to "print" or send as much level to the master as possible without clipping the signal.
Spacing & Crossfading.
Spacing: there are different viewpoints as to how one should approach the areas put in between tunes on a record. Final suggestion: you might be inclined to master the very same recordings that you mixed, whether it is for financial factors, creative reasons, or simply due to the fact that you can. We strongly suggest that you get somebody else to master your task.
Typical areas of issue for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one tune to the next, and spacing in between tunes. Or you might have 10 tunes mixed by three different engineers in five different Hip Hop Beats studios.
Each song's eq may appear best by itself, however if you sequence them together, all of a sudden one tune sounds too intense (or too dull ...). Tip # 1: remember that any eq modifications to your stereo mix impact the entire mix - if you desire to cut 3 db at 80Hz due to the fact that your mix sounds muddy, keep in mind to check how that impacts all the instruments (e.g. the vocal), not simply the bass guitar and kick drum. Compression: In mastering, this is utilized not simply to manage a mix or to include character, but likewise to "print" or send out as much level to the master as possible without clipping the signal.
